Soler Fandango Seven Sonatas
Categoría: Sonatinas
Precio y disponibilidad de Soler Fandango Seven Sonatas
Q 303.25
Q 356.77
Entrega estimada de 6 a 10 dias habiles en Guatemala.
-15%
Categoría: Sonatinas
Q 303.25
Q 356.77
Entrega estimada de 6 a 10 dias habiles en Guatemala.
Product Description Keyboard artist David Schrader, a favorite of the Chicago Symphony Orchestra, made his solo recording debut with this CD of harpsichord works by Spanish composer Padre Antonio Soler. Soler's compositions embrace Spanish folk melodies, show a fondness for syncopations, and require virtuosity from the performer. Soler's work bridges late Baroque and early Classical styles. "Like his illustrious predecessor at the Spanish court, Domenico Scarlatti," writes David Schrader in his program notes,"Soler also enjoyed the patronage of a member of the royal family . . . While Scarlatti's influence on Soler is evident, it is well to note some salient differences in the two composers' works for keyboard. Soler composed more sonatas in a relatively moderate tempo than did Scarlatti; the acciaccaturas (dissonant notes played quickly in between harmonic tones) so germane to Scarlatti's style rarely appear in Soler's works; and Soler made frequent use of Alberti bass patterns, which Scarlatti avoided. Similarities, however, include the demand for virtuosic technique, a fondness for syncopations, and a thorough infusion of Spanish folk music." The instrument used in the recording (an 8-foot single-manual harpsichord) was built by Paul Y. Irvin of Glenview, Illinois in 1989. It has a five-octave range, two sets of unison string, and a buff stop. Its design was inspired by the sound and acoustical design of a small 1681 Giusti harpsichord now in the Germanisches Museum, Nürnberg. Review David Schrader presents an excellent, eye-opening survey . . . Soler is all baroque bubbly richness and rhythm. -- AudioSchrader uncovers a wealth of detail in the richly patterned sonatas without obscuring the larger designs. -- Chicago TribuneWe have never heard more beautiful, natural, realistic harpsichord sound. -- American Record Guide
About the Artist Born in Chicago in 1952, David Schrader received his Performer's Certificate (1975), Masters (1976), and Doctor of Music Degree (1987) from Indiana University and is now a Professor at Roosevelt University's College of the Performing Arts. A familiar Ãgure to audiences in the Windy City, the multifaceted Schrader has been hailed for his performances of baroque and classical repertoire on harpsichord and fortepiano, and music of vastly divergent styles and eras on organ and piano. Mr. Schrader has appeared in recital and performed with major orchestras throughout North America, Europe, and Japan, including frequent appearances as soloist with the Chicago Symphony Orchestra under such celebrated conductors as Daniel Barenboim, Claudio Abbado, Erich Leinsdorf, and Sir Georg Solti, with whom Schrader has made three recordings for London Records. David Schrader is currently organist at Chicago's Church of the Ascension and a member of the Chicago Baroque Ensemble. Ver más
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