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Sacred Steel Traditional Sacred African-American Steel Guitar Music In Florida disponible en Yaxa Guatemala -15%

Sacred Steel Traditional Sacred African-American Steel Guitar Music In Florida

Compra Sacred Steel Traditional Sacred African-American Steel Guitar Music In Florida original con envío a todo Guatemala

CDs y Vinilo / Cristiano / Góspel / Gospel Sureño

Precio y disponibilidad de Sacred Steel Traditional Sacred African-American Steel Guitar Music In Florida

Q 184.25

Q 216.77

Envío gratis a todo Guatemala

Disponible en todos nuestros productos, sin costos ocultos ni mínimo de compra.

Stock disponible: 7 unidades en existencia.

Tiempo de entrega: Entrega estimada de 6 a 10 dias habiles en Guatemala.

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Valoración de clientes

4.8 sobre cinco estrellas 11 opiniones

Tienda The idea that recordings exist of bluesy, intense gospel fueled by and starring the electric steel guitar might strike one as strange. But that very thing has transpired for decades in the Jewel and Keith Dominions of the Church of the Living God, and, as this mid-'90s recording demonstrates, the results are brilliant. Sonny Treadway displays the agile virtuosity of Chet Atkins on "At the Cross" and Glenn Lee's mournful, nimble, dulcet licks on "Call Him by His Name" recall B.B. King at his fiercest. However, such facile comparisons really do a disservice to this vital sound; none of this music really resembles anything else. Particular highlights of this satisfying set's 20 tracks are the 3 sublime contributions by Willie Eason. The elderly Eason may not display the liquid bravado of others here, but his songs possess unbounded soul. His original composition "Franklin D. Roosevelt, a Poor Man's Friend" is a wonderful example of both topical material and eulogy in gospel music. His songs are sung in a baritone, preach-singing style and the playing juxtaposes strummed chords with eerie, long, looping notes that seem to hang in the air forever. The section of live religious services by Treadway, Henry Nelson, and Aubrey Ghent are stomping fun at its most sanctified. Treadway's "This Is a Holy Church" even approaches the unbridled Holy Ghost stomp of street musician Rev. Louis Overstreet. --Mike McGonigal

Ficha técnica

Fabricante
ARHOOLIE RECORDS
Dimensiones
5.99 x 0.41 x 5.05 pulgadas
SKU
B0000001L7
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Descripción detallada de Sacred Steel Traditional Sacred African-American Steel Guitar Music In Florida

Tienda The idea that recordings exist of bluesy, intense gospel fueled by and starring the electric steel guitar might strike one as strange. But that very thing has transpired for decades in the Jewel and Keith Dominions of the Church of the Living God, and, as this mid-'90s recording demonstrates, the results are brilliant. Sonny Treadway displays the agile virtuosity of Chet Atkins on "At the Cross" and Glenn Lee's mournful, nimble, dulcet licks on "Call Him by His Name" recall B.B. King at his fiercest. However, such facile comparisons really do a disservice to this vital sound; none of this music really resembles anything else. Particular highlights of this satisfying set's 20 tracks are the 3 sublime contributions by Willie Eason. The elderly Eason may not display the liquid bravado of others here, but his songs possess unbounded soul. His original composition "Franklin D. Roosevelt, a Poor Man's Friend" is a wonderful example of both topical material and eulogy in gospel music. His songs are sung in a baritone, preach-singing style and the playing juxtaposes strummed chords with eerie, long, looping notes that seem to hang in the air forever. The section of live religious services by Treadway, Henry Nelson, and Aubrey Ghent are stomping fun at its most sanctified. Treadway's "This Is a Holy Church" even approaches the unbridled Holy Ghost stomp of street musician Rev. Louis Overstreet. --Mike McGonigal

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