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Hawaian Guitar Banjo Ukulele  Guitar 1926-1949 disponible en Yaxa Guatemala -15%

Hawaian Guitar Banjo Ukulele Guitar 1926-1949

Compra Hawaian Guitar Banjo Ukulele Guitar 1926-1949 original con envío a todo Guatemala

CDs y Vinilo / Música Internacional / Islas del Pacífico / Hawái

Precio y disponibilidad de Hawaian Guitar Banjo Ukulele Guitar 1926-1949

Q 195.3

Q 229.77

Envío gratis a todo Guatemala

Disponible en todos nuestros productos, sin costos ocultos ni mínimo de compra.

Stock disponible: 7 unidades en existencia.

Tiempo de entrega: Entrega estimada de 6 a 10 dias habiles en Guatemala.

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Valoración de clientes

4.6 sobre cinco estrellas 17 opiniones

Tienda Roy Smeck was one of the earliest nonclassical guitar virtuosos, and his expertise on Hawaiian guitar, banjo, and ukulele is well-documented on this CD. Influenced by such greats as Eddie Lang, Ikey Robinson, banjoist Harry Reser, and steel guitarist Sol Hoopii, Smeck carved out a big-time niche as a "string wizard" on the vaudeville circuit. Unable to sing very well, Smeck had to grab the audience's attention with a dazzling barrage of stage tricks and gimmicks. These tricky novelty numbers are featured here, while many of his more tasteful accompaniment records are absent. Smeck was clearly a master musician and a gifted entertainer; unfortunately, many of these tracks would no doubt be more impressive witnessed as a stage act. Still, this CD is highly recommended. --Terry Zwigoff

Ficha técnica

Fabricante
Yazoo Records
Dimensiones
5.59 x 4.96 x 0.24 pulgadas
SKU
B000000G7R
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Descripción detallada de Hawaian Guitar Banjo Ukulele Guitar 1926-1949

Tienda Roy Smeck was one of the earliest nonclassical guitar virtuosos, and his expertise on Hawaiian guitar, banjo, and ukulele is well-documented on this CD. Influenced by such greats as Eddie Lang, Ikey Robinson, banjoist Harry Reser, and steel guitarist Sol Hoopii, Smeck carved out a big-time niche as a "string wizard" on the vaudeville circuit. Unable to sing very well, Smeck had to grab the audience's attention with a dazzling barrage of stage tricks and gimmicks. These tricky novelty numbers are featured here, while many of his more tasteful accompaniment records are absent. Smeck was clearly a master musician and a gifted entertainer; unfortunately, many of these tracks would no doubt be more impressive witnessed as a stage act. Still, this CD is highly recommended. --Terry Zwigoff

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