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Glass Einstein on the Beach disponible en Yaxa Guatemala -15%

Glass Einstein on the Beach

Compra Glass Einstein on the Beach original con envío a todo Guatemala

CDs y Vinilo / Dance y Electrónica / Tecno

Precio y disponibilidad de Glass Einstein on the Beach

Q 831.95

Q 978.77

Envío gratis a todo Guatemala

Disponible en todos nuestros productos, sin costos ocultos ni mínimo de compra.

Stock disponible: 7 unidades en existencia.

Tiempo de entrega: Entrega estimada de 6 a 10 dias habiles en Guatemala.

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Valoración de clientes

4.7 sobre cinco estrellas 91 opiniones

Tienda Phalanxes of woodwinds, organs, and voices pulse through Philip Glass's most famous opera like nothing so much as a migratory flock engaged in acrobatics overhead. There is no center to the kinetic activity; the down beat might shift, in split-second hindsight, to the up beat, and the synthesizer might suddenly upstage the libretto of nonsense syllables. The exuberant cacophony of overlapping scripts makes the term "counterpoint" seem inadequate, antiquated. Such was Glass's hope, of course, when on the 200th anniversary of the founding of the U.S. he consolidated influences as diverse as raga, minimalism, and progressive rock to produce one of the few canonical works of late-20th-century opera. The title subject might be taken as a pretext for mathematical reverie, but as much as this is "experimental" music; it is a work of art, not science. The ostensible absence of narrative--despite strong voice-over-like recitatives, written in part by the vocalists--is made up for by the lengthy work's dramatic setting, staged by Robert Wilson, and the intense forward momentum of Glass' composition. --Marc Weidenbaum

Ficha técnica

Fabricante
Sony
Dimensiones
5.75 x 10 x 2 pulgadas
SKU
B0000025W6
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Descripción detallada de Glass Einstein on the Beach

Tienda Phalanxes of woodwinds, organs, and voices pulse through Philip Glass's most famous opera like nothing so much as a migratory flock engaged in acrobatics overhead. There is no center to the kinetic activity; the down beat might shift, in split-second hindsight, to the up beat, and the synthesizer might suddenly upstage the libretto of nonsense syllables. The exuberant cacophony of overlapping scripts makes the term "counterpoint" seem inadequate, antiquated. Such was Glass's hope, of course, when on the 200th anniversary of the founding of the U.S. he consolidated influences as diverse as raga, minimalism, and progressive rock to produce one of the few canonical works of late-20th-century opera. The title subject might be taken as a pretext for mathematical reverie, but as much as this is "experimental" music; it is a work of art, not science. The ostensible absence of narrative--despite strong voice-over-like recitatives, written in part by the vocalists--is made up for by the lengthy work's dramatic setting, staged by Robert Wilson, and the intense forward momentum of Glass' composition. --Marc Weidenbaum

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