Bothy Culture

Descripción del producto No Description Available.Genre: World MusicMedia Format: Compact DiskRating: Release Date: 2-AUG-2005 Tienda Armed with bags of talent, the ability to play plenty of instruments, and a drum machine, Martyn Bennett really makes an impression with Bothy Culture, his second album, but first to receive major distribution. Equally informed by the tradition and the dance culture that ruled Britain, this is a groundbreaking work. Even when this albums attempts global references ("Tongues of Kali") there is a undeniable Scottish basis. "Joik" joins the dots between Scandinavia and Caledonia, while "Yer Man From Athlone" lightly points out that the Scots and Irish had the same root stock. Humorous, danceable, and daring, this is perhaps the Scots album of the 1990s, a Trainspotting for the new folk movement. --Chris Nickson

From the Label Having learned the language of a new musical territory, and already well versed in the traditional folk of his family, Martyn played both in the pub session and in the symphony orchestra, learned both the Ceol Mor for the solo bagpipe (the oldest form of bagpipe music) and Ysaye’s solo violin sonatas. Each world knew nothing of the other, and the prospect of taking either across the boundaries seemed equally possible and daunting. At age 19, he took to the peaking rave scene in Glasgow and began formulating what would become his signature hybrid of traditional Gaelic and modern house, hip-hop, and dance music. Martyn fused rural and urban music (rurban, urbal?), mixing classical styles with contemporary rhythms and technologies, and emerged with a sound which was unique yet familiar, and in high demand throughout Glasgow. After finding his niche in the Gaelic/dance arena, Martyn began garnering attention by composing for European theatrical productions. Beginning with the score for The Haunting of Billy Marshall, Martyn composed for the Tom McGrath adaptation of Robert Louis Stevenson’s Kidnapped and David Harrower’s Knives in Hens. These works led to television and movie scores and eventually on to solo performances, highlights of which include performing as personal piper for the Tanzanian President on his visit to Edinburgh, a three month tour of the U.S. with Green Linnet recording artist Wolfstone, consecutive appearances (in 1995 and 1996) at the Edinburgh Hogmanay for crowds of over 90,000 people (and a couple of sheep), and a gig as entertainer for the Braveheart premiere at Stirling Castle. He has appeared as a guest musician on numerous albums, and in 1996, the independent Scottish label, Eclectic Records released his first solo recording, a self-titled full length CD. The album brought the urban folk sounds of Martyn’s music to an ever widening European audience and now, just over a year later, Rykodisc’s release of BOTHY CULTURE extends Martyn’s musical reach across the pond and beyond. Ver más

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