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Berlioz Overtures Queen Mab Scherzo Saint-Saens Omphales Spining Wheel Op 31 disponible en Yaxa Guatemala -15%

Berlioz Overtures Queen Mab Scherzo Saint-Saens Omphales Spining Wheel Op 31

Compra Berlioz Overtures Queen Mab Scherzo Saint-Saens Omphales Spining Wheel Op 31 original con envío a todo Guatemala

CDs y Vinilo / Clásica / Formas y Géneros / Música Teatral / Incidental y de Programas / Poemas Sinfónicos

Precio y disponibilidad de Berlioz Overtures Queen Mab Scherzo Saint-Saens Omphales Spining Wheel Op 31

Q 268.4

Q 315.77

Envío gratis a todo Guatemala

Disponible en todos nuestros productos, sin costos ocultos ni mínimo de compra.

Stock disponible: 7 unidades en existencia.

Tiempo de entrega: Entrega estimada de 6 a 10 dias habiles en Guatemala.

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Valoración de clientes

4.6 sobre cinco estrellas 12 opiniones

Tienda Munch and Berlioz are like chocolate and peanut butter--they go great together. This disc is the finest collection of Berlioz overtures and short works available, and possibly the best ever recorded. Berlioz was music's ultimate neurotic: his music is quite simply hyper. It jumps, fidgets, and explodes with bursts of passion, all of it uniquely tuneful and magnificently scored. Charles Munch could lose himself in music like this; here he surrenders to the excitement of the moment and positively revels in the passages where all hell breaks loose. The Boston Symphony plays as if their lives depended on it, and the early-1960s sound hasn't dated a bit. --David Hurwitz

Ficha técnica

Fabricante
Sony Classical
Dimensiones
5.62 x 4.92 x 0.33 pulgadas
SKU
B000003FCM
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Descripción detallada de Berlioz Overtures Queen Mab Scherzo Saint-Saens Omphales Spining Wheel Op 31

Tienda Munch and Berlioz are like chocolate and peanut butter--they go great together. This disc is the finest collection of Berlioz overtures and short works available, and possibly the best ever recorded. Berlioz was music's ultimate neurotic: his music is quite simply hyper. It jumps, fidgets, and explodes with bursts of passion, all of it uniquely tuneful and magnificently scored. Charles Munch could lose himself in music like this; here he surrenders to the excitement of the moment and positively revels in the passages where all hell breaks loose. The Boston Symphony plays as if their lives depended on it, and the early-1960s sound hasn't dated a bit. --David Hurwitz

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