Storyteller Gwilans Harp Other Celtic Tales

Descripción
Product Description Celtic harper Patrick Ball has always been a storyteller – but then, that goes with the territory. After all, the Celtic harp has always been used to accompany the telling of Irish tales. Tall tales, tales of little people and hard lands, stories of love and loneliness – these reflect the Celtic soul as much as the music. Patrick Ball’s prior six releases have focused on his instrumental performances of the timeless airs and ballads of the Celtic lands; only his concert audiences have had the chance to hear his equally lyrical storytelling. Finally, after establishing himself as America’s most popular Celtic harpist, Ball has produced Storyteller, a collection of Celtic tales that shows this ancient Irish tradition to be alive and well, at least in Ball’s corner of California.Storyteller includes five classic Irish tales and a telling of the haunting, bittersweet Gwilan’s Harp, a contemporary fairy tale by celebrated author Ursula K. LeGuin. In each case, Ball’s storytelling has a gentle, musical quality. With subtle accompaniment from the harp and other traditional Irish instruments, Storyteller easily transports the listener to an earlier, simpler time.Ball uses such well-known Irish airs as Bonny Portmore, Carolan’s Farewell, and Donal Og as the settings in which to spin his yarns. He is joined by talented piper and flutist Timothy Britton and renowned fiddler Martin Hayes. But the real star of this release is the storytelling itself. Whether it is the charm and wit of The Matchmaker or the melancholy of The Soul Agony, Ball’s tales evoke images of the warm hearth and the family gathered around the fire.Storyteller comes at a time when interest in Celtic music is high. Children’s tales are again being found on recordings and on the radio. Patrick Ball’s combination of Celtic tales and Celtic music will strike a chord with many listeners, and bring a little bit of Ireland to the whole family. About the Artist Patrick Ball was born and raised in California and gave little thought to such things as where his ancestors came from. He went to school and supposed, when he thought about it at all, that he would one day be a lawyer, like his father. But he studied music from time to time and over the years developed a nodding acquaintance with the piano and the guitar. At university he continued his flirtatious relationship with music by playing the tin whistle, principally to annoy his roommate. But at this time he found that he was irresistibly drawn to words, to the music of words, to writers who made words sing, to writers from Ireland. Then, when he began to study history to fulfill his academic requirements, he was not surprised to find that it was the lyrical, turbulent history of Ireland that engaged him. So much so, in fact, that when his father died all his thoughts of law school died with him. He enrolled in graduate school and soon made his way to Ireland. There he fell in love with the eloquence and fire of the Irish oral tradition. There he fell in love with the Celtic harp. And there a few pieces of his life fell into place. For he came to know that marvelous unity of Irish words, music and history that would become his passion and, eventually, his livelihood.Patrick returned to California, was awarded a Master’s Degree in History by Dominican College, and soon discovered that jobs in the field of Irish scholarship were not to be had for love nor money. So after laboring in various unrewarding lines of work he set off hitchhiking around the country and finally fetched up at Penland School of Crafts in the Blue Ridge Mountains of North Carolina, where he lived for two years and worked as a groundsman. There he encountered a branch of that living oral tradition that had captivated him in Ireland. And there for him, among the Appalachian storytellers, his love of the spoken word was rekindled. He returned to Ireland and listened, then made his way back to California, determined to put his scholarship, his love of words and his neglected musicianship to some use, to carve out for himself an occupation from the things that he loved. He sought out a maker of the rare wire-strung Celtic harp and taught himself to play. He then gathered the stories he had heard and the history he had learned and blended them with the music that had so often been their companion.He now tours extensively throughout the United States and Canada, is considered one of the premier Celtic harpers and storytellers in the world today, and has recorded nine instrumental and three spoken word albums which have sold well over one-half million copies collectively and earned national awards in both the music and spoken word categories. Along with Celtic Harp and Story, his beguiling blend of music and spoken word concerts, Patrick has also written and currently performs two solo musical theater pieces: O’Carolan’s Farewell to Music, which brings to the stage the legendary life, the turbulent times and the glorious music of Ireland’s most celebrated and beloved musician, Turlough O’Carolan, and The Fine Beauty of the Island, a musical journey to Ireland’s legendary Blasket Islands in search of a deeply haunting tune and the vanished islanders who played it.Patrick has been awarded grants for his work by the Zellerbach Family Fund and the California Arts Council and is the recipient of the Circle of Excellence Award from the National Storytelling Association.
Peso
3.36 Onzas
Dimensiones
5.74 x 0.38 x 5.12 pulgadas
Fabricante es CELESTIAL HARMONIES
La calificación que le dan a Storyteller Gwilans Harp Other Celtic Tales, 12 usuarios es de 4.9 sobre 5 estrellas.